As a young artist, he gained skills in scenic design, acting, puppetry and music composition. The act received serious criticism. Mazo, Joseph. In July 1987, Nik and Murray, a feature-length documentary film about Nikolais and Murray Louis, directed by Christian Blackwood, aired on the PBS series American Masters. Feel free to give us a call or send us an email with any questions or comments you have. He would commonly use props with aesthetic as well as functional purposes; for instance, a traveler moving across the stage would hide a crossing and simultaneously create a volume of motion. The job of the teacher is to pursue, institute and constantly anticipate the best possible activities coinciding with this idealistic thesis.". Nikolais was born in Southington, Connecticut. He avoided overused themes like psychosexuality, good vs. evil, or heroes and heroines. Mr. Nikolais was renowned as a master teacher, and his pedagogy is taught in schools and universities throughout the world. The licensing of these works range from full productions to single masterworks. Its muscular and tactile functions are essential to the performance of the total body. Many such devices are primary to the concept. Receiving high regards from New York State Council on the Arts, Hofstra University, Rutgers University, Duke University, Hunter College, and Brigham Young University. The Nikolais/Louis Foundation for Dance actively promotes the performance of both Alwin Nikolais and Murray Louis’s choreographies by professional companies and dance students around the world. The spectator whose senses were preoccupied with racial differentiation was not perceiving Nik's images. It was after attending a performance by the German dancer Mary Wigman that he was inspired to study dance. In 1948, Nikolais was appointed director of the Henry Street Playhouse, which had been left in a state of transition and had to be entirely re-established. The Role of Westerners in the Conservation of the Legong Dance. The specific sound was the initial criteria. In a section of Stratus and Nimbus (1961) and again in Scenario the dancers wear small sound-producing fiberboard circles on each foot. Alwin Nikolais (November 25, 1910 – May 8, 1993) was an American choreographer. "Television and the Performing Arts: A Handbook and Reference Guide to American Cultural Programming" Rose, Brain G. Greenwood Press, New York, 1986, P. 43. [5], He was notoriously well known in the dance industry because of his use of lighting. The Nikolais/Louis technique is presented in a week-to-week classroom manual, providing an indispensable tool for teachers and students of this widely studied movement practice. At the same time, his choreography for an opera by Gian Carlo Menotti was being staged at the Vienna Staatsoper. Choroscript (annexe 1 « Biographie d’Alwin Nikolais ») - portrait de Nikolais… He characterized his stage presentations as "decentralizing" the dancer, so that humans were only one of the theatrical elements on stage. Instead, he chose to move away from the life of the individual and focus on group action. The Nikolais/Louis Foundation will work directly with potential licenses to set and stage the repertory custom to the performers executing the work. Centre Nationale de la Danse Contemporaine, Grande Medaille de Vermeille de la Ville de Paris, National Museum of Dance's Mr. & Mrs. Cornelius Vanderbilt Whitney Hall of Fame, 1st_commercial_Moog_synthesizer_(1964,_commissioned_by_the_Alwin_Nikolai_)Dance_Theater_of_NY)_@_Stearns_Collection_(Stearns_2035),_University_of_Michigan.jpg, Learn how and when to remove this template message, http://artsalive.ca/en/dan/meet/bios/artistDetail.asp?artistID=21, http://bearnstowjournal.org/theaterAN.htm, https://web.archive.org/web/20100717220754/https://www.library.ohiou.edu/archives/dance/overview/nikolaisbio.html. Aunque la coreografía de Nikolais fue a veces criticada como “deshumanizante”, sostenía que era liberadora. [4], In the 1950s a black face in a cast caused a sensory blocking. His production MASKS, PROPS, and MOBILES was accredited to have created and popularized modern multimedia theater (Mazo, Joseph), although, some critics rejected Nikolais work as dance, especially when Nikolais transformed the bodies of dancers by covering them in plastic bags that would stretch and change shapes in Noumenon; a section from Masks, Props and Mobiles (1953). Murray Louis, Le Nikolais Louis Danse Technique: Une philosophie et méthode de danse moderne, 2004 (ISBN 0415970202) Francesca Pedroni, Alwin Nikolais, Palerme, L'Epos, 2000 (ISBN 88-8302-143-6) Articles connexes In "Discs," the opening dance in Kaleidoscope, the dancers wear large colored aluminum discs on one foot, which serve in various aesthetic capacities. ©2020 Nikolais/Louis Foundation for Dance. The combination of cast, original lighting and music, with modern dance techniques, gained The Nikolais Dance Theatre a world-renowned reputation in the theatrical arts.
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