The New Yorkers return with clammy post-punk jitters like ‘Narc’ that feel like a gloved hand at your throat. The inventiveness of the Shin’s repertoire of songs is something to be admired, and James Mercer’s vocals are sublime to listen to. 492. The album see’s the country-rock band strip their sound down to its barebones. Redding’s third studio LP is a high watermark for ‘60s soul: eleven covers, classics and standards recorded with unparalleled grit, sorrow and sensuality. The Jazz singer treats us to delightful renditions of ‘For Heaven’s Sake’ and ‘I’m A Fool To Want You’. But there’s loads of others on there; ‘If I Fell’, that’s brilliant. Otis Redding, ‘Otis Blue’ (1965) Joshua Homme, Nick Oliveri and Mark Lanegan do psychedelic desert rock par excellence. 468. And she was addictive, as long as she kept turning out irrepressible rap pop like ‘Get Ur Freak On’ and ‘One Minute Man’. Todd Rundgren, ‘A Wizard, A True Star’ (1973) Bearsville. Kendrick Lamar, ‘Good Kid M.A.A.D City’ (2012) Top Dawg Entertainmen/Aftermath Entertainment. Bright Eyes, ‘I’m Wide Awake, It’s Morning’ (2005) Saddle Creek. Pinterest . There are some bands that just ooze musicality, and Girls fits into this description. Michael Jackson, Thriller (1982) Epic. But it’s not about that, it’s about the way he sings and dances.”. ….or alternatively Britpop: The Comedown. Languid backbeats, chiming clocks, serpentine guitar lines and spacious production meet the occasional bit of legendary prog song-writing. The conceptual classic from 70’s Bowie with a thematic twist of George Orwell’s novel ‘1984’. 185. Missy Elliott, ‘Miss E… So Addictive’ (2001) Elektra. Frank Ocean, ‘Channel Orange’ (2012) Def Jam. This was the debut album for one the most iconic bands of a generation. 135. The singing gnomes and propulsive beats of ‘Atlas’ drove Battles’ debut to eviltronic greatness. The Flaming Lips, ‘The Soft Bulletin’ (1999) Warner Bros. 410. 417. However this experimental effort embraces punk and new wave auras, and refusal to go with conventions makes it a classic in their discography. Depeche Mode, ‘Violator’ (1990) Mute. Jack and Meg’s response to becoming stars was to make a harder, darker kind of record – and cover Bacharach & David. Emily Barker. When it came out in 1968 this type of music was completely unheralded. Also introduced the world to beats by a young Kanye West, and a coterie of melodic smurfs. 477. The feel-good hit of the year 2000 is still in our bloodstream. 154. 115. Patti Smith, ‘Easter’ (1978) RCA. 409. ‘Liquid Swords’ was basically essence of Wu: pure atmosphere honed to a katana edge.
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