The camera slowly backs out as the crawlers are heard closing in on Sarah, revealing that she dreamt of her escape and that she is still trapped in the cave. The Descent is a 2005 British adventure horror film written and directed by Neil Marshall.The film follows six women who, having entered a cave system, struggle to survive against the humanoid creatures inside.. Total worldwide box office receipts are $57,051,053. But it’s not just the bloodthirsty cave dwellers they have to contend with; it’s the very people who seem worth saving who end up doing the most damage. Alors qu’elles tentent de trouver une autre issue, elles réalisent qu’elles ne sont pas seules. For the sequel, Hyett improved the camouflaging ability of the crawlers' skin tones to deliver better scares. Stream HDEn 1992 un groupe d'alpinistes disparaît sans laisser de traces dans la chaîne des Cascades aux Etats-Unis. While Juno is initially presented as some sort of extreme sport-loving badass, “The Descent” applies that superpower to thrilling, grisly ends. The film was a box office hit when it was released in 2006, earning nearly $60 million in worldwide returns. Even after that scene, we never really felt comfortable with them. They take it up to 11 in the first few minutes and then simply can't keep it up. Soudain, un éboulement bloque le chemin du retour. If they had been all male, it would have made no sense, so I wanted to create a more realistic context for them. Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox. According to Hyett, "Jon wanted them more viciously feral, inbred, scarred and deformed, with rows of sharklike teeth for ripping flesh." Interviews with leading film and TV creators about their process and craft. [10] Production designer Simon Bowles said that the crawler design had started out as "wide-eyed and more creature-like", but the design shifted toward a more human appearance. Filming took place in the United Kingdom. Due to these events there was some initial concern that the film's release might have been delayed out of sensitivity for the tragedy but Pathé ultimately chose to release the film on schedule, with a slightly retooled advertising campaign; however, the US promotional campaign managed by Lionsgate Films was significantly different from the original European version. Alors qu’elles tentent de trouver une autre issue, elles réalisent qu’elles ne sont pas seules. After a truck passes her, she opens the window, leans out, and vomits. Juno encounters Sarah and lies to her about seeing Beth die. Contact The distributor's marketing chief, Anna Butler, said of the new approach, "We changed tack to concentrate on the women involved all standing together and fighting back.
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