//console.log(prefix + cname + "=" + cvalue + ";" + expires + ";path=/"); “It’s a smokescreen to crowdsource leads.”. Bob Wittman belongs to an elite society—the handful of government and private-sector professionals who track down art criminals and recover stolen work all over the world. // Check if ouibounce exist before calling ouibounce The author did a ton of research and seamlessly interwoven with great story telling created a book that is hard to put down. Looting from archaeological sites continues on a massive scale. As if the Lourve’s Mona Lisa wasn’t controversial enough, a second Mona Lisa, which art historians believe was painted by one of Leonardo da Vinci’s students at the same time the original portrait was forged, can be found in Madrid’s Prado Museum. A year later, after busting a second art-theft ring on another job, this one in a museum in Nice, French authorities inadvertently revealed Wittman’s cover. Using the vouch method, a French cop working undercover told Laurenz, who had been an underworld money launderer back in France, that Wittman was a gray-market art broker. SignupForm.init($modal.find('form'), function onSuccess() { While the last of Boston’s St. Patrick’s Day revelers downed their final drinks before turning in to await their inevitable hangovers, night watchman Richard Abath looked up from his security desk to see two men in police uniforms and caps at the door of the Isabella Stewart Gardner Museum. $('body').append(ouibounceScript); Caravaggio fled to Malta, where The Beheading of St. John the Baptist was commissioned as an altarpiece. // Init - Anything you want to happen onLoad (usually event bindings) An empty frame on the right is where Vermeer’s “The Concert” once was. Laurenz or Sunny had nicknamed one thug—a white man with long stringy dark hair and a crooked nose—“Vanilla.” “Chocolate” was black and bald and wore braces. Thirty years ago today, two men posing as police officers stole 13 works of art from Boston's Isabella Stewart Gardner Museum. $form.find('.errors').children().hide(); customSerializer: function(){ } else { ©2020 Artnet Worldwide Corporation. Since Gardner’s 1924 death, her museum has been frozen in time, with her will mandating that no artwork could be moved from the precise location where she had placed it. var SignupForm = { Through wiretaps, French authorities had been monitoring a pair of suspects. + '
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