Bad Times at the El Royale ist ein US-amerikanischer Mystery-Thriller mit Elementen des Neo-Noir-Films aus dem Jahr 2018. "Good Times Bad Times" is a song by the English rock band Led Zeppelin, featured as the opening track on their 1969 debut album Led Zeppelin. Han var ikkje klar over at trommeslagar Carmine Appice faktisk spelte på dobbel basstromme. It won the Academy of Canadian Cinema and Television Award for Best Feature Length Documentary. "Good Times Bad Times" (Bonham/Jones/Page) – 2:47, B. Việc sử dụng bộ chuyển âm này vốn trước đây chỉ được dùng cho Hammond organ. Denne sida vart sist endra den 10. september 2017 kl. ", This is a young Canadian's very personal and original rendering of our elders' blackest nightmare; the savage and insane armed slaughter of the two great wars. [8] However, as Ian McKay and Jamie Swift note, Shebib "shuns all patriotic tropes", and presents the audience images with a sense of irony that would have done Paul Fussell proud, for example juxtaposing "an ironically absurd war song" along with Gustav Holst's The Planets orchestral suite and a "throbbing rock anthem". Certainly not the people who fought it", and wrote of a difficult-to-describe feeling evoked by the closing poetic lines, images, and music, "creating a rich emotional effect", a "fusion of exhilaration plus a sense of loss, a movement into accusation and uselessness. Geoff Pevere, writing for The Charlatan[7]. [6], Shebib's musical selections for the film ranged from classical to contemporary rock. But then the lovely photograph dissolves to a toothless veteran in the pub, his face blank in some mindless odyssey, and we know that he was that boy, once; and by some magic we in the audience are all three, stinking carrion, bright youth, and haunted age. Our hearts begin to break with memories of wars we never fought in. Det er ein pedal! Tay guitar Jimmy Page đã chơi chiếc Fender Telecaster qua bộ chuyển âm Leslie nhằm tạo nên hiệu ứng vọng[2][3]. Singelen nådde 80. plass på singellista i USA. "Communication Breakdown" (Bonham/Jones/Page) – 2:28, Kỷ niệm 40 năm thành lập Atlantic Records (1988). The film is a powerful statement against countercultural narcissism and "an indictment against collective memory". Det var eit vellukka eksperiment. A Canadian veteran of the First World War, Good Times, Bad Times (as quoted by The Ottawa Citizen)[3], Combat footage and old photographs from extant BBC documentary footage from the First and Second World Wars is intercut with contemporary footage of First World War veterans[4] recalling their experiences at Royal Canadian Legion halls, memorial day commemorations and veterans' hospitals.[5]. Singelen nådde 80. plass på singellista i USA. Som Page sa: Bassist John Paul Jones har kommentert bidraget sitt på songen: Jones sa at riffet han skreiv for songen var eit av dei vanskelegaste han har skrive.[6]. Die Handlung dreht sich um sieben merkwürdige, einander unbekannte Personen, die in einer Nacht des Jahres 1969 im heruntergekommenen Hotel El Royale am Lake Tahoe zusammentreffen und deren dunkle Geheimnisse und Pläne im Laufe des Geschehens miteinander … Bonhan utvikla visstnok denne teknikken etter å ha høyrt på Vanilla Fudge. The veterans are "sidelined relics", which galvinizes Shebib's empathy for them. Written shortly after his departure from The Times, it is particularly critical of … 22:43. The Canadian Film Encyclopedia describes the "moving and powerful documentary" as a "personal, passionate elegy for the past," and a "tautly structured, elegantly crafted dirge" reflecting the guilt and madness of war. Songen vart spela i filmen The Fighter. In its effect, the film lies somewhere between Huston's [Edge of Darkness] and Renais's Night and Fog, but it resembles neither in conception or materials. Ca khúc này cũng đánh dấu việc tay trống John Bonham đã 2 lần chơi 16 nốt trong một lần kick bass bằng chân phải, tạo nên hiệu ứng đặc biệt mà sau này rất nhiều tay trống nhạc rock khác bắt chước, ngoài ra còn chơi hi-hat 8 nốt một lần xuyên suốt toàn ca khúc bằng chân trái. Rosen, Steven (ngày 25 tháng 5 năm 2007). Page cũng là nhà sản xuất và bố trí thu âm cho ca khúc này. Geoff Pevere remarks that the documentary was made at a time when "those who made war" were an unsympathetic subject, and is in that sense about "the marginalized and the misunderstood." Bonham nói anh chơi trống như vậy sau khi lấy cảm hứng từ ban nhạc Vanilla Fudge khi mà tay trống Carmine Appice thường chơi trống bass nhanh gấp đôi bình thường[4]. Heile songen vart framført som ein medley i lag med «Communication Breakdown» i LA Forum den 4. september 1970, der han òg inneheldt ein bassolo av John Paul Jones (finst på piratkopialbumet Live on Blueberry Hill), og fleire «Whole Lotta Love» medleyar i 1971.
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