1960s counter-culture comes to Oxford in the latest engrossing episode of Endeavour... After last week’s strong start, the fourth series continues with another engrossing case that sees Morse and his colleagues confronted by 60s counterculture and its vociferous opponents. Their repeated public confrontations earn him a beating from her vicious supporters and an interview with the police. The Empress: Joan; The King of Swords: Thursday; The Ace of Wands: Endeavour Morse. With Sharlette Henry, Paul Bown, Sylvestra Le Touzel, Phil Rowson. There are two strands here. Before all that, though, there’s a moment of affection between Morse and Thursday that viewers will cherish. Set in mid to late-1960s Oxford, England, the series centres on the early career of Endeavour Morse after leaving Lonsdale College of Oxford University late in his third year without taking a degree, spending a short time in the Royal Corps of Signals as a cipher clerk, and then joining the Carshall-Newtown Police. Then a vicar, Mrs Pettybon's co-activist, is poisoned with chocolates seemingly intended for her. The facial resemblance of the Wildwood's manager Ralph Spender to Brian Epstein, the real-life manager of the Beatles, is most noticeable. I think there's something in that. Aficionados of period detail will appreciate the posters and cover art on display during the episode, which vividly evoke the era. SYNOPSIS. Stix says, "You know, you might have forgotten where you come from, mate, but the rest of us haven't." His magazine’s been shut down and he has a criminal record to his name after crossing swords with Pettybon over gay rights. The band’s history of drug use and their manager’s readiness to bend the law arouse Morse’s suspicions, leading to a complex mystery that unfolds against the backdrop of the sweltering summer of 1967. Endeavour is charged with protecting Joy Pettybon, self-appointed guardian of the nation's morals, who is visiting Oxford to promote her 'Keep Britain Decent' campaign. Let's check the readings. Let’s just say that, as long as corned beef means it’s a Friday, not all is lost. review of the previous episode, Game, here, Endeavour series 4 episode 3 review: Lazaretto, Endeavour series 2 episode 1 review: Trove, Endeavour series 7 episode 1 review: an intriguing mix of horror and mordant wit, Endeavour series 3 episode 1 review: Ride, Endeavour series 4 episode 2 review: Canticle. Despite the sadness, there’s fun to be had. However, the body's chest is clearly visible later on when the wheel brace is being compared to the mark on his side, and the chest is unmarked. First shown on the 29th January 2017 in the UK. Barry Finch, a young labourer who worked near the stately pile they’re currently occupying, has been found strangled. Morse gets in the middle of both cases, putting him in incredible peril.
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