Rhyming “Elsa” with “Alka Seltzer”, as Noel does on this Morning Glory smash, is a gesture of towering vapidity – but there’s a genius in its lack of sophistication. The Seventies represented a huge shift in visibility for LGBT+ people, and with this track, Reed asserted himself as a proud ally. Your mouth don't move but I can hear you speak. The uncanny last will and testament that was the entirety of Blackstar – a ticking clock of a record that shape-shifted into something else entirely when Bowie passed away three days after its release? EP, “On days like this/ In times like these/I feel an animal deep inside/ Heel to haunch on bended knees.” Andrew Eldritch is the great forgotten lyricist of his generation. The dispute is here restaged by Wainwright the younger as a raging row at the dinner table. There is shameless revisionism and then there is claiming that Noel Gallagher is a great lyricist. Thank you Jesus, thank you lord, People dressed in plastic bags, directing traffic, some kind of fashion Gonna find my way to heaven, 'cause I did my time in hell. Haunted folkie Marling was 16 when she wrote her break-out ballad – a divination of teenage heartache with a streak of flinty maturity that punches the listener in the gut. Are you sure you want to delete this comment? “You had chemicals boy/ I’ve grown so close to you/ Boy and you just groan boy.”. put a fist, put a fist through your steel-plated door Thin Lizzy’s biggest hit was in part inspired by Phil Lynott’s childhood memories of a Manchester criminal gang. Ed Power and Roisin O’Connor pick their favourites. Underworld never wanted to be stars and actively campaigned against the release of their contribution to the Trainspotting score as a single. Arcade Fire – “Sprawl II Mountains Beyond Mountains”, “They heard me singing and they told me to stop/ Quit these pretentious things and just punch the clock.”. What they all have in common is the ability to make you stop dead in your tracks and feel as if your world has briefly been tipped head over heels. It’s hysterically witty, with the narrator painting death by ten-ton truck as the last word in romantic demises. “If I want to see the tears in your eyes/Then I know it had to be/Long ago, actually in the drifting white snow/You loved me.”. Yet their slower songs have become unjustly obscured as the decades have rolled by. I met a gin soaked, bar-room queen in Memphis, google_ad_height = 90; The Seventies represented a huge shift in visibility for LGBT+ people, and with this track, Reed asserted himself as a proud ally. 'cause I just can't seem to drink you off my mind. Many artists have tried to speak to the asphyxiating conformity of life amid the manicured lawns and two-cars-in-the-drive purgatory of life in the sticks. Ever better, and from the same Floodlands album was “This Corrosion” – a track more epic than watching all three Lord of the Rings movies from the top of Mount Everest. You can also choose to be emailed when someone replies to your comment. google_ad_width = 728; EP, “Why is the bedroom so cold turned away on your side? Note: When you embed the widget in your site, it will match your site's styles (CSS). All of that – the poetry, the poise, the repressed sob – comes together most perfectly here, on this undying lament from his very first record. Women think I'm tasty, but they're always tryin' to waste me Dick and Pat in ole D.C., well they're gonna hold some shit for me. From google_ad_slot = "2604140743"; Long before the concept of the “hipster” had gone mainstream, the 30-something James Murphy was lamenting the cool kids – with their beards and their trucker hats – snapping at his heels. Yet their slower songs have become unjustly obscured as the decades have rolled by. “I’ll kill the first mother I see/ My life has been too rough/ I’m awfully bitter these days/ Because my parents were slaves.”. By the tail-end of the decade the Eagles were thoroughly fed up of one another and jaundiced by fame. “Once there were mountains on mountains/ And once there were sun birds to soar with/ And once I could never be down/ Got to keep searching and searching.”. Gonna find my way to heaven, 'cause I did my time in hell. Included on her 1966 album Wild is the Wind, Simone depicts four characters – Aunt Sarah, Saffronia, Sweet Thing and Peaches – who represent different parts of the lasting legacy of slavery. The consensus is that it was written by Björn Ulvaeus about his divorce from band-mate Agnetha Fältskog, though he has always denied this, saying “is the experience of a divorce, but it's fiction”. EP, “Once there were mountains on mountains/ And once there were sun birds to soar with/ And once I could never be down/Got to keep searching and searching.” Which Bowie lyrics to single out?
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